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A Lifetime Behind the Camera has Taught Omar Ragab Every Angle of Cinematography

  • Writer: By Meredith Roman
    By Meredith Roman
  • Nov 16, 2021
  • 4 min read

Updated: Oct 1

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A beautifully crafted film feels almost effortless, flowing seamlessly from scene to scene as if by magic. Yet, for professionals like Omar Ragab, a masterful cinematographer, every shot is a meticulous study. The precise lighting, the thoughtful composition, the strategic placement of each camera—none of it happens by accident. It all comes to life through the discerning eye of the director of photography (DP), a role in which Ragab truly excels.


Also known as the director of photography, a cinematographer is responsible for the overall visual aesthetic of a film. This position uniquely blends a pragmatic mind with creative vision, as the DP not only strategically organizes their crew but also carefully crafts each individual shot. Ultimately, the director relies on the cinematographer to capture and convey the visual essence of their creative vision.


Building Expertise from the Ground Up

To achieve cinema of the highest quality, a cinematographer must possess an intimate understanding of each of their three core departments: camera, lighting, and grip. Often, cinematographers ascend from roles as camera operators, camera assistants, or lighting technicians. In Ragab's case, he has journeyed through all three departments, gaining invaluable insights along the way.


Ragab's early days as a camera production assistant vividly illustrated the weight of each crew member's responsibilities. He spent more time behind the wheel than behind the camera, driving trucks across studio lots, loading and unloading gear, and setting up tripods—hardly glamorous work. However, Ragab quickly realized how crucial these seemingly menial tasks were to the entire production. Without these key contributions, camera assistants couldn't prepare properly, camera operators wouldn't get their shots, and the director of photography would be unable to execute the director's vision. The entire production pyramid, he understood, would quickly crumble.


Ragab carried this profound awareness into each new post as he ascended through the production ranks, continuously honing both his technical and creative prowess. Experience is often considered the greatest teacher, and Ragab considers himself fortunate to have built his career from the ground up.


“I can tell you firsthand that it takes a village to achieve anything!” Ragab says with a laugh. “My work from PA, to loader, to camera assistant and camera operator has taught me about the roles of each individual, and the importance of cohesion, collaboration and concise leadership.”


Mastering Light and Leading with Empathy

Capturing the perfect shot, especially with subtle elements like light, demands a deep understanding of both equipment and atmosphere—a mastery only attainable after years of experience. Ragab’s extensive time behind the lens has provided him with a powerful working knowledge of a camera's unique idiosyncrasies and a thorough understanding of how to best operate it.


While filming the music video for Grammy-nominated artist Sebastian Yatra's “Mañana No Hay Clase,” Ragab was truly in his element, navigating a challenging night-time shoot with cool proficiency. The video's mischievous summertime vibe resonated with Yatra’s fans globally, accumulating over 24 million views on YouTube to date.


Rafael Leyva, a collaborator on “Mañana No Hay Clase,” was thrilled to work with Ragab, praising the cinematographer’s photographic expertise. “Omar commands a great amount of technical knowledge which was needed as we were working with two different camera formats and shooting at night. A strong understanding of lighting was paramount,” says Leyva. “Any production would be lucky to have someone of his caliber working with them.”


Beyond technical knowledge and creative ability, a cinematographer must also be a top-notch leader, organizer, and communicator to get the best from their crew. In an extremely fast-paced industry with people from all walks of life, tensions can quickly rise when projects fall behind schedule.


Ragab’s positive attitude and unwavering assurance on set keep things moving forward. His dedication to the craft and his confidence evoke genuine respect from his crew members—a respect they know is fully reciprocated. This family-oriented approach allows Ragab to cultivate an environment of creativity, warmth, and shared purpose. The humble cinematographer elaborated:


“My work is just as good as my crew. They are my backbone, and I know how crucial each of their roles are to the success of the production as a whole because I’ve been in each of those roles myself.”


The Hype House and Beyond

Recently, Ragab was enlisted to film Netflix’s new reality series “The Hype House,” offering a firsthand look into the lives of high-profile teenage content creators living under one roof in Los Angeles. Production presented a significant challenge, with nearly 20 cast members operating individually with separate schedules. Coordinating shooting in an efficient and dynamic manner was a huge undertaking, but Ragab tackled the challenge with aplomb.


The praise of one’s peers is often the highest form of commendation. Ryan Purugganan, a camera operator for “The Hype House,” was greatly impressed with Ragab’s contributions, stating that his energy and ability were instrumental to the series' creation.


“His role required an individual who could rise to any challenge and overcome creative obstacles efficiently,” Purugganan shared. “Omar always does his best to ensure there is a positive work environment and is patient and caring to those who need guidance.”


The people behind the camera are just as vital to a film’s success as the performers in front of it. Having excelled in every position around the camera, Ragab is uniquely qualified to lead his crew from a perspective many DPs simply don’t possess.


“I took every opportunity I could to gain experience while climbing the ranks, and eventually led each department,” the cinematographer explained. “I now know how to serve all departments working on a film set, because I know what it takes to achieve any given setup.”


This unwavering attitude of service ultimately defines Omar Ragab, and the value he brings to a film production extends far beyond what appears in the frame.

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